The Mau Maus eBay offering has gotten even better, there are now 5 free Mau Maus fliers from back in the day, scanned from the person collections of Rick Wilder and Scott “Chopper” Franklin. Click the link below to view:
Here’s a radio interview from last year along with some unreleased photos from the great Edward Colver:
Artist: The Mau Maus
Album: Scorched Earth Policies: Then & Now
Label: Rachet Blade Records
Reviewer: Cassandra Young
Date: Oct 21, 2012
Established in 1977, resulting from the breakup of their former band the Berlin Brats, the Mau Maus have a notorious reputation as trouble makers. With the release of their first legitimate recorded album ‘Scorched Earth Policies: Then and Now’, the band has given their fans something tangible, as they have been craving for almost forty years.
With the legendary Rick Wilder filling the position of front man; Robbie Krieger, Michael Livingston, and Greg Salva on guitar; Scott “Chopper” Franklin on bass; and Paul “Black” Mars on drums, the band has become an icon in the Punk scene. Though Wilder is the only original member still standing, all have a chemistry that is undeniably powerful. Their drive and ability to create a lasting sound has made them a permanent staple in the music industry.
With a history like The Mau Maus, there is no escaping their reputation. Band members changing like the days of the week, cops appearing at their doorstep about five times a night, and starting uncountable riots, the band hasn’t just made their mark on music, they’ve made it on society. Incorporating both songs from their past as well as recently written and recorded songs from today, they have pieced together a compelling album that will be played for many decades to come.
Kicking of their album with “(I’m) Psychotic”, they already paint a picture of just who they really are. The dominant bass line, sweet guitar solos, extremely fun chorus, and just about as much china as you can handle introduces The Mau Maus in the best way possible. “Warbaby” is the perfect song for one who’s looking for the angst expected from angry rockers. With impressive guitar riffs and a single amazing guitar solo the song has become a fan favorite. “Joyride (to the End of the World)”, written by Wilder, is one of the slower (however, not slow at all), and more powerful songs. “Doomsdaze”, one of the most enjoyable songs on the album, opens with the group yelling, “Yeah, yeah, yeah” which continues throughout the song, giving off the loud, rambunctious vibe loved by all Punk listeners.
Though they’re what would be considered veterans of the scene, The Mau Maus plan on releasing another album in the future. With talent like theirs, there is no reason not to. The Mau Maus have been an influential band throughout the entire Punk industry since 1977 and are continuing to influence bands in today’s music scene.
Victoria Joyce has written a great review of the Mau Maus live in the newest Sugarbuzz, it also features photos by Mila Reynaud. Click HERE to read it online.
The Mau Maus
The Redwood Bar and Grill
Downtown Los Angeles
South Bay Redondo Beach
By Victoria Joyce
Photography by Mila Reynaud
We took a break from the Sunset Strip Music Festival to head downtown. A very special show by LA Punk Legends, The Mau Maus, were playing a set at the forever funky Redwood Bar with the original 1981 line up. (They was just babies.) Self described as psycho-sexual Punk Death Rock, this show could not be missed.
Check out The Punk Museum being curated by Miss Tacquila Mockingbird for some mind-blowing handbills from some of their seminal shows where the Mau Maus shared stages with Black Flag, The Germs, X, etc.
With some changes to the original, original 70s band, a newer line up of Rick Wilder, Michael Livingston, Scott Franklin and Paul Mars Black formed in 1981 and that is who would be on stage tonight. The last time The Mau Maus went into the studio, they recorded with Robby Krieger (The Doors) on the Mad Dog Studio sessions included two songs for “Hell Comes To Your House Vol. 2.” A scene-stealing performance in the OJ Simpson detective movie “Cocaine and Blue Eyes” accented this “Joyride to the End of the World.”
We were very disappointed Mr. Krieger did not show up at the Redwood. But he was busy at Viper Room, playing a solo show as part of the SSMF. Break on through.
The Redwood is a teensy weensy serious dive bar, five times as long as it is wide, a virtual hall way with a tiny stage in the back. They have been back in business for a few years now reviving the downtown LA Rock to white hot and weird on most weekends. The Redwood features the obscure, the strange and like tonight legendary bands with a capital “L.”
The Tinglers out of Las Vegas opened the evening. Twangy Punk Pop with very strange songs that were just brilliant. Very Garage.
Followed by the Muertones, a trio out of Lincoln Heights with hardcore Dark Surf very Misirlou-Pulp Fiction type stuff. They did a cover of “LA Woman” that was to die for.
Chit-chatting with the Mau Maus pre-set got us some props for the interview Mr. Lucky did with the enigmatic Rick Wilder who may also be doing a book. Paul Mars Black gave us some of the skinny on the earlier Robby Krieger sessions. When the guitar player didn’t show – Robby jumped in and brought out a little bitty Dubose amp to the session. When the bewildered band questioned the size of the box, Krieger informed them this is what was used on all The Doors very own sessions. It’s not the size of the wave, it’s the motion in the ocean.
Taking the stage around 11, The Mau Maus were frightening. The undiluted energy of the original Punk movement was in full flower jogging the memory of a genuine underground scene back in the day-e-ay. You could get hurt if you got too close. And we are not talking about some fake mosh pit full of overweight suburban white boys. More like slam-dancing with scissors and knives kind of thing. It was wonderful to be that scared of a band.
The PA was terrible to the point of being absent if you were squeezed off to the side. (We were.) The enigmatic Rick Wilder’s vocals with his pale white skin and shock of candy apple red hair were more lost than usual. But the musicianship was stellar. The gorgeous Paul Mars Black (also of LA Guns) on drums was sharper than a disposable razor. The classically trained Michael Livingston on guitar was a revelation and one time Cramp, Scott Franklin on bass was a stunner.
We were doubly delighted to learn that another gig was added the following Sunday night, way the hell down in Orange County at the Brixton in Redondo Beach. This time the club was ten times as big and the sound system was 100 times better. The performance was a lot tighter. The contained chaos was crystal clear.
AND HEY KIDS: For a limited time there will be a special deal on the Mau Maus brand new CD, “Scorched Earth Policies” with an eBay bundle including a signed copy of the Mau Maus debut LP (autographed by the 1981 line up), a “Scorched Earth” CD (w/ a 20 page full color booklet with super duper photos by Mila Renaud), a Mau Maus Black Matte Sticker and 3 Mau Maus Posters, all for just $19.78!
For a limited time there will be a special deal on a Mau Maus “Scorched Earth Policies” eBay bundle. You get a signed copy of the Mau Maus debut LP (autographed by the 1981 line up), a “Scorched Earth” CD (w/ a 20 page full color booklet), a Mau Maus Black Matte Sticker and 3 Mau Maus Posters, all for just $19.78! Click on the link below for more details:
THE MAU MAUS
Scorched Earth Policies: Then & Now
Formed from the ashes of legendary Los Angeles glam rock band Berlin Brats, the Mau Maus have proven to be one of punk rock’s more tenacious groups, with lineups having existed in five different decades now—and yet despite forming in 1977—prior to this CD, the only legitimate recordings one could find were two tracks featured on the second Hell Comes to Your House compilation. In an effort to both clear the vaults and make up for lost time, this features six tracks recorded in 1983 and produced by Doors guitarist Robbie Krieger (who also lays down a barnburner solo on one track), plus eight tracks of more recent vintage that meld fairly seamlessly with the earlier tunes, making this the definitive showcase for this band’s take on punk rock: one part Dolls, one part Stones, mix in a whole lotta attitude ‘n’ hostility and set the whole fuckin’ thing ablaze. An all-around swell collection complete with extensive liner notes, pics, and some of the finest punk rockin’ you’re likely ever gonna come across.
Here’s the new video for “Warbaby” by Glen Bennett featuring newly declassified secret atomic bomb films, blitzing action and Rick Wilder